‘Hamilton’ blazes into Orange County at the Segerstrom
Four women find their stories in metatheatrical ‘The Revolutionists’ at Long Beach Playhouse
Getty Villa’s ASL/vocal ‘Oedipus’ delivers truth infused with passion
A Noise Within’s ‘Animal Farm’ brings Orwell’s cautionary tale to visceral life
Utah Shakespeare Festival 2022 Part I: Outstanding non-Shakespeare
International City Theatre’s ‘Valley Song’ soars beyond its humble setting
Buoyantly gay-positive ‘The Prom’ sparkles at the Ahmanson
Long Beach Playhouse’s lilting ‘The Cripple of Inishmaan’ amuses darkly
Unforgettable family drama in Fountain Theatre’s ‘If I Forget’
Musical Theatre West’s ‘Grease’ goes back to high school with spirited singing and dancing
Drag queens reign in International City Theatre’s ‘The Legend of Georgia McBride’
‘André & Dorine’ at Latino Theatre Company offers charming yet devastating portrayal of dementia
Review: Rajiv Joseph’s rhythmic new ‘King James’ at the Mark Taper Forum
A Noise Within’s ‘Metamorphoses’ transports us to the mythic realm
Soul-stirring ‘Who’s Afraid of Virginia Woolf?’ at the Geffen bites where it hurts
Gruesome ‘Macbeth’ bloodies Long Beach Shakespeare Company stage
Geffen Playhouse’s ‘Power of Sail’ deftly navigates turbulent racial waters
Sondheim-inspired ‘Marry Me a Little’ at International City Theatre is musical magic
‘Wicked’ flies into Segerstrom Center on a charmed broomstick
American Ballet Theatre’s “The Nutcracker” is on pointe at Segerstrom